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	<title>Justine L Walsh</title>
	<link>https://justinelwalsh.com</link>
	<description>Justine L Walsh</description>
	<pubDate>Wed, 18 Oct 2023 03:33:47 +0000</pubDate>
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		<title>Top page</title>
				
		<link>https://justinelwalsh.com/Top-page</link>

		<pubDate>Wed, 18 Oct 2023 03:17:26 +0000</pubDate>

		<dc:creator>Justine L Walsh</dc:creator>

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		<title>and we will feel the weight fall away from us in time</title>
				
		<link>https://justinelwalsh.com/and-we-will-feel-the-weight-fall-away-from-us-in-time</link>

		<pubDate>Wed, 18 Oct 2023 03:33:46 +0000</pubDate>

		<dc:creator>Justine L Walsh</dc:creator>

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	and we will feel the weight fall away from us in time(2023)

	Limestone, multichannel sound (4:27, 9:07).

Acknowledgements: Title from ‘You and I’ by Jeff Buckley; sound work includes traditional Irish lullaby, ‘Bog Braon don tSeanduine’ as taught by Nell Ní Chróinín; thanks to Geoff Robinson for the limestone, and to Rod Price for the sub woofer.


&#60;img width="2300" height="1578" width_o="2300" height_o="1578" data-src="https://freight.cargo.site/t/original/i/63157de724562a16d92e6bed1d8cfb53fd43a6a21452a30f4a6e5d0f6d86ddb9/Screen-Shot-2023-10-02-at-1.32.19-pm.png" data-mid="195023133" border="0"  src="https://freight.cargo.site/w/1000/i/63157de724562a16d92e6bed1d8cfb53fd43a6a21452a30f4a6e5d0f6d86ddb9/Screen-Shot-2023-10-02-at-1.32.19-pm.png" /&#62;&#60;img width="2450" height="1612" width_o="2450" height_o="1612" data-src="https://freight.cargo.site/t/original/i/aba6e8efa53f2e74738fa849b79b853e307879bcdad8aebea7fa881c45a127fc/Screen-Shot-2023-10-02-at-1.33.06-pm.png" data-mid="195023908" border="0"  src="https://freight.cargo.site/w/1000/i/aba6e8efa53f2e74738fa849b79b853e307879bcdad8aebea7fa881c45a127fc/Screen-Shot-2023-10-02-at-1.33.06-pm.png" /&#62;</description>
		
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		<title>Torsion (2022)</title>
				
		<link>https://justinelwalsh.com/Torsion-2022</link>

		<pubDate>Wed, 18 Oct 2023 03:33:46 +0000</pubDate>

		<dc:creator>Justine L Walsh</dc:creator>

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		<description>
	Torsion (2022)


	Steel, calico, eggshells, camphor wood.




&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/ef8ba479983d524c0f00578483c087b604cefc72fc3c778528aa5279331133d0/IMG_4305.jpeg" data-mid="195283199" border="0"  src="https://freight.cargo.site/w/1000/i/ef8ba479983d524c0f00578483c087b604cefc72fc3c778528aa5279331133d0/IMG_4305.jpeg" /&#62;&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/2fabe77a54a789d0b07cd5001784d2df1aa31da095c9b80801219a9556ce7d4c/Majlis_2023_09.jpg" data-mid="195182010" border="0"  src="https://freight.cargo.site/w/1000/i/2fabe77a54a789d0b07cd5001784d2df1aa31da095c9b80801219a9556ce7d4c/Majlis_2023_09.jpg" /&#62;2023 Majlis Travelling Scholarship Exhibition, Fiona Sydney Myer Gallery. Photographer (second image): Aaron Christopher Rees.</description>
		
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		<title>Balm (2022)</title>
				
		<link>https://justinelwalsh.com/Balm-2022</link>

		<pubDate>Wed, 18 Oct 2023 03:33:47 +0000</pubDate>

		<dc:creator>Justine L Walsh</dc:creator>

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		<description>
	Balm (2022)

	Film and sound (4:24). 
Acknowledgements: Thanks to Bianca Lyla Clifford and Claire Lambe for filming support.



&#60;img width="2678" height="1514" width_o="2678" height_o="1514" data-src="https://freight.cargo.site/t/original/i/257a5f105a57451261b565b4be4a54949caaa288f8eb3e2fef7a638d2159368f/Screen-Shot-2023-11-20-at-10.28.18-pm.png" data-mid="197373503" border="0"  src="https://freight.cargo.site/w/1000/i/257a5f105a57451261b565b4be4a54949caaa288f8eb3e2fef7a638d2159368f/Screen-Shot-2023-11-20-at-10.28.18-pm.png" /&#62;


	&#60;img width="1396" height="936" width_o="1396" height_o="936" data-src="https://freight.cargo.site/t/original/i/8618ec21c112be6223f765dc9a9dc248dc869ab6487af2e73e415c28ec94354c/Screen-Shot-2023-11-20-at-10.32.19-pm.png" data-mid="197374054" border="0"  src="https://freight.cargo.site/w/1000/i/8618ec21c112be6223f765dc9a9dc248dc869ab6487af2e73e415c28ec94354c/Screen-Shot-2023-11-20-at-10.32.19-pm.png" /&#62;
	&#60;img width="3500" height="2336" width_o="3500" height_o="2336" data-src="https://freight.cargo.site/t/original/i/69e3ef003ac1d4cfb312f92c552e728345c60d5ac90902813e23cbb59fbeef6e/2022_MILK_A-Very-Late-Meeting_DocumentationBySebastianKainey-17.jpg" data-mid="195182098" border="0"  src="https://freight.cargo.site/w/1000/i/69e3ef003ac1d4cfb312f92c552e728345c60d5ac90902813e23cbb59fbeef6e/2022_MILK_A-Very-Late-Meeting_DocumentationBySebastianKainey-17.jpg" /&#62;
&#60;img width="2714" height="1522" width_o="2714" height_o="1522" data-src="https://freight.cargo.site/t/original/i/c0958c66d69e384a8d5f022c071f8b486e88082f91a7617cd92b6c23b33b9be6/Screen-Shot-2023-10-19-at-10.56.06-pm.png" data-mid="195294469" border="0"  src="https://freight.cargo.site/w/1000/i/c0958c66d69e384a8d5f022c071f8b486e88082f91a7617cd92b6c23b33b9be6/Screen-Shot-2023-10-19-at-10.56.06-pm.png" /&#62;From group show ‘A Very Late Meeting’ with Bianca Lyla Clifford, Claire Lambe, and Parker Lev Dupain at MILK Gallery (Collingwood, VIC). Photography of installation by Sebastian Kainey. </description>
		
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		<title>About/CV</title>
				
		<link>https://justinelwalsh.com/About-CV</link>

		<pubDate>Wed, 18 Oct 2023 03:33:46 +0000</pubDate>

		<dc:creator>Justine L Walsh</dc:creator>

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︎ Email
︎ Instagram︎ CV
	About ~

I was born on Whadjuk Noongar boodja just east of Boorloo / Perth, Western Australia, and am now based in Kulin Nations, near Narrm / Melbourne, Victoria. I am of settler-coloniser descent, mostly European as far as I can find - Irish, English, Jewish (Poland), Anglo-Burmese. I am grateful for my life and to call this place my home, and I offer my heartfelt thanks and respect to First Nations Bunurong and Wurundjeri people here along with all their Ancestors and kin. 
I am a non-binary artist, performer, musician, poet, herbalist, and ritualist, among plenty of other named and unnamed things.
With materials including stone, eggshells, plants, voice, sound, film and performance, I create gestures of intimacy, subtly posing questions of being and emptiness through iterative &#38;amp; process-based making. I carve, collect, listen, and produce sound works, arranging these elements together as remnants and offerings. Grounded in a deep-rooted vocal and sound practice, inspired by experimental archaeology and folk healing, I self-excavate and research, sensing affinities in my own experiences and customs of ritual, grieving, transformation and renewal.My practice includes producing and nurturing artists, arts festivals and events, as well as curation and workshop facilitation.


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